If cinema is still a fetishist matter (not only for compulsive streamers), it is thanks to people like him. The “movie painter” Renato Casaro is the iconic poster artist who you will be introduced to, although you already know him. Thinking about A Fistful of Dollars, Dances with Wolves, A Very Little Man, They Call Me Trinity, Trinity Is Still My Name up to The Sheltering Sky will immediately remind you of his posters as a conditioned response. To be clear, the poster in which Nikita turns her back to the audience and the wall is splattered with blood was one of his