A crocodile carcass washes up in the heart of Mumbai city, a couple of siblings wonder about a two-headed snake, while a group of amateur radio enthusiasts in Pune, send messages to satellites from their homemade radio stations – this package of short films encompasses a new and exciting trend in young Indian cinema. Imbued with fantasy and contemporary folklore, these filmmakers attempt to create their own vocabulary of cinematic practice while being firmly rooted in the questions of everyday life. From the dreams of the workers building the city Bangalore (Presence), to the indefinite struggles of those negotiating the hardship of the rural landscape (Pati, Village in the sky), to questions of delicate and forbidden love (CatDog), and the pure love letter to cinema (Remembering Diana an open letter to Kiarostami), to using a folktale that addresses questions of ecology (Makara), these films raise several questions while challenging the cinematic form. A large section of the films have also been produced as student works by the state funded Film and Television Institute of India which has historically shaped the face of independent cinema in the country. (Payal Kapadia)